Tracklist:

• Voodoo Suite
• St. James Infirmary
• In The Mood
• I Can’t Get Started
• Jumping At The Woodside
• Stomping At The Savoy

Notes:

Released in 1955, Voodoo Suite Plus Six All-Time Greats is a groundbreaking album that showcases the fusion of Afro-Cuban jazz and big band swing, led by the legendary Cuban bandleader Pérez Prado and the innovative American jazz trumpeter and arranger Shorty Rogers. The album is best known for its ambitious *Voodoo Suite*, a nearly 24-minute composition that blends primal rhythms with sophisticated jazz harmonies, creating an evocative and cinematic soundscape. Prado, often hailed as the “King of Mambo,” took a bold step beyond traditional Latin jazz, crafting a piece that feels both ritualistic and avant-garde.

The Voodoo Suite was recorded in a single session, featuring an expanded orchestra that included some of the finest West Coast jazz musicians of the era. Shorty Rogers played a crucial role in arranging and refining the suite, ensuring that Prado’s vision of merging tribal percussion with modern jazz sensibilities was fully realized. The composition is driven by relentless percussion, hypnotic brass arrangements, and eerie melodic motifs, evoking a mystical atmosphere that transports listeners to an imagined world of voodoo rituals and exotic landscapes.

Beyond the suite, the album includes six additional tracks that highlight Prado’s ability to reinterpret jazz standards through his unique Latin lens. Classics such as *St. James Infirmary*, *In the Mood*, and *Jumping at the Woodside* are infused with his signature rhythmic intensity, transforming familiar melodies into vibrant, danceable arrangements. These tracks serve as a bridge between Prado’s Afro-Cuban roots and the swing traditions of American jazz, demonstrating his versatility and deep understanding of both genres.

Voodoo Suite Plus Six All-Time Greats remains a landmark recording in the history of Latin jazz, celebrated for its daring experimentation and masterful execution. It stands as a testament to Prado’s willingness to push musical boundaries and Rogers’ ability to seamlessly integrate jazz elements into Latin compositions. The album’s influence can be heard in later works that explore the intersection of jazz and world music, making it an essential listen for enthusiasts of both genres.